MAKING LIGHT OF IT

The exile of many of the greatest artists to the margins of their given medium is obviously nothing new, yet the sting that accompanies the knowledge of the occurrence of this injustice remains as vexatious as ever, none more so than in the case of the Canadian artist Carl Brown, one of cinema's greatest visual alchemists.  The following interview was included in a small bi-lingual book released on Brown, edited by Hangjun Lee and Gyejoong Kim...

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